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He poroporoaki kia Merata Mita (Tribute to Merata Mita)

2 Jun 2010

This content is tagged as Creative NZ .


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E te whaea Merata, kua riro rā koe e te ringa kaha o aitua. Kei te hahae te tau o te ate. Kei te mōteatea ngā mahara mō koutou kua rere atu rā ki te kāhui rangatira, te kahui o Matariki. Kia kakengia e koe tō waka whakarei ki Te Reinga e titiro ake ai koe ki ngā tai e rua e papaki mai rā. E kore a muri e hokia. Na reira haere atu rā.merata mita_teWakaToi awards 2009

Merata Mita (Ngati Pikiao and Ngaiterangi) died suddenly earlier this week. During her 25 years in the film industry Merata made a significant contribution to Māori and woman’s film and television in New Zealand, and to the international indigenous film networks across the world.

In August 2009 Te Waka Toi awarded Merata with the Te Tohu Toi Ke – “Making a difference” award, and in the 2010 Queen’s New Year’s Honours she received a Companion of the New Zealand Order of Merit for service to the film industry.

Merata was the first New Zealand woman to write and direct a dramatic feature film, MAURI, (1988), after a lengthy career as a documentary filmmaker. Her expertise and knowledge of film-making and indigenous culture meant she was a sought after contributor to panels and workshops in New Zealand and internationally.

In 2003 Merata was honoured with a retrospective of her work at the First Peoples Festival in Montreal, Quebec. The retrospective included such films as BASTION POINT: DAY 507 (1980); PATU! (1983); MAURI (1988); MANA WAKA (1990), DREAD (1996); HOTERE (2002) taken from the body of more than 30 films in which she has been involved.

In 2005 the First Nations First Features Program, featured her film MAURI at the Museum Of Modern Art (MOMA) in New York, and the Smithsonian Institution's National Museum of the American Indian in Washington, DC.
Merata was an Assistant Professor at the Academy of Creative Media, University of Hawai’i where she taught courses in indigenous screenwriting, aesthetics and production. Throughout her career she contributed to and supported film-making by indigenous peoples as an advisor, creative advisor, patron and board member for a range of organisations and events.