Creative New Zealand is a Crown entity governed by the Arts Council. The council encourages, promotes and supports New Zealand arts to benefit all New Zealanders. It upholds the right to artistic freedom and promotes a New Zealand identity in the arts.
Role and responsibilities
- sets the strategic direction of Creative New Zealand and monitors its performance
- sets guidelines for the allocation of funding and the implementation of initiatives
- establishes assessment processes for the allocation of funding
- maintains relationships with other agencies and organisations.
The council must uphold the principles of:
- participation, by supporting initiatives that encourage participation in the arts
- access, by supporting initiatives that provide access to the arts for those that may not otherwise have the opportunity
- excellence and innovation, by supporting work that develops the creative potential of artists and artforms
- professionalism, by maintaining and developing a professional arts infrastructure in New Zealand
- advocacy, by promoting New Zealand art and artists at home and overseas.
The council recognises:
- the cultural diversity of New Zealand
- in the arts, the role of Māori in arts as tangata whenua
- the arts of the Pacific Island peoples of New Zealand.
For more detail read the Arts Council of New Zealand Toi Aotearoa Act 2014 at legislation.govt.nz
Māori and Pacific representation
The Council includes:
- a minimum of four members with knowledge of Māori Arts, te ao Māori (a Māori world view) and tikanga Māori (Māori protocol and culture) appointed in consultation with the Minister of Māori Development
- two members with knowledge of the arts, and the traditions or cultures, of the Pacific Island peoples of New Zealand, appointed in consultation with the Minister of Pacific Communities.
Members of the Council
Michael Moynahan (Chair) of Wellington has a long association with literature and a 25-year career in publishing. He helped develop the Auckland Readers and Writers Festival and was the inaugural Chair of its trust board. Michael chaired the Publishers and Booksellers Associations of New Zealand and was a member of the New Zealand Book Council. He was also CEO of Harper Collins (Australia, New Zealand and India), CEO of Random House India, and Managing Director and Chairman of Random House New Zealand.
Caren Rangi ONZM (Deputy Chair) of Hawkes Bay, is of Cook Islands Māori descent and is a former member of the Pacific Arts Committee of Creative New Zealand. She is an experienced public sector governance practitioner, with a passion for Cook Islands Māori dance, music and cultural history. Caren is a qualified accountant and auditor and an experienced governance practitioner and facilitator. Caren is a board member for the Museum of New Zealand Te Papa Tongarewa, Pacific Homecare Services, and Pacific Inc Ltd. She is also a Board director of the Cook Islands Investment Corporation in Rarotonga, and of Pacific Co-operation Broadcasting Ltd. In 2018 Caren was made an Officer of the New Zealand Order of Merit for her services to governance and the Pacific community.
Andrew Caisley of Auckland is a lawyer and experienced arts governor, previously serving as a member of the New Zealand Book Council and of the New Zealand Film and Literature Board of Review. He is a former chair of Playmarket, Silo Theatre, and as founding chair of the New Theatre Initiative Inc. from 2000 was closely involved in the development of Q Theatre in Auckland. Andrew is also a founding partner of legal firm Kiely Thompson Caisley.
Garth Gallaway of Christchurch is a lawyer and a partner in Chapman Tripp. He has extensive experience in civil litigation, insurance law, and health and safety defence work. He is also experienced in alternative dispute resolution, especially mediation. He is the Chair of the Arts Foundation of New Zealand Trustees and the Maia Health Foundation. He is a collector of New Zealand art, a trustee of the Christchurch Art Gallery Trust, Chairman of the W.A. Sutton Charitable Trust and Honorary President of New Zealand Football. He was a member of the Dunedin Public Art Gallery and a member of the Film and Literature Review Board.
Dame Jenny Gibbs DNZM of Auckland is an arts patron and collector who has served as founder and chair of the Patrons of Auckland City Art Gallery and Auckland Contemporary Art Trust and as an inaugural board member of the Museum of New Zealand Te Papa Tongarewa. She also served as a member of the Council of the University of Auckland for more than 25 years, and as a trustee of the Auckland Medical School Foundation. Dame Jenny has served as New Zealand’s Commissioner for the Venice Biennale in 2001, 2003 and 2019.
Roger King is from the Hawke’s Bay and has more than two decades of experience in the arts. He has served as WOMAD Festival Programme Director and Artistic Director of the Taranaki Festival of the Arts and the Lake Taupo Festival. He is a former chair of Chamber Music New Zealand, The Big Idea and Creative Hawke’s Bay. He is currently chair of the Cape Coast Arts and Heritage Trust.
Luamanuvao Dame Winnie Laban DNZM of Wellington was Chair of the former Pacific Arts Committee of Creative New Zealand. She is Assistant Vice Chancellor (Pasifika) at Victoria University. This follows a Parliamentary career as the Member of Parliament for Mana, Minister of Pacific Island Affairs, Minister for the Community and Voluntary Sector, and Associate Minister of Social Development, Economic Development, and Trade. Elected in 1999, Luamanuvao was the first Pacific Island woman in the New Zealand Parliament.
Wayne Marriott JJP (Chair, Audit & Risk) of Whakatāne is an independent cultural heritage consultant who has held a number of senior positions in New Zealand and internationally. He is a Director of Art & Acre gallery, a Cultural Consultant for Taupo District Council and Vice-President of the Whakatane & District Historical Society. Formerly Deputy Chair, BayTrust, he has also served as conjoint Member of the Board of Heritage New Zealand and Māori Heritage Council. Other former positions include Manager, Culture and Heritage for Te Rūnanga o Ngāti Awa; Manager, Arts and Culture at the Whakatane District Council (2009-2012) where he led the redevelopment of Te Koputu o te Whanaga a Toi (Whakatane); and General Manager of Museums Aotearoa.
Michael Prentice of Christchurch is owner and Director of Thinking Out Loud, a strategic consultancy that works with organisations and brands to help clarify and communicate their story. Michael was formerly Managing Director of the Christchurch office of strategic design consultancy Designworks and Group Strategic Director for Strategy Design and Advertising. He has extensive managerial and commercial skills and has developed the brand and advertising strategies of some of New Zealand's most recognised brands. Michael was a member of the former Arts Board of Creative New Zealand. He founded and chaired the trust board of contemporary dance company, Black Grace and is a former director of Auckland’s performing arts facilities organisation, The Edge.
Dean Whiting (Chair, Kōmiti Māori) of Wellington is of Te Whānau a Apanui descent. He is the Director of Māori heritage at Heritage New Zealand Pouhere Taonga and leads the Māori built heritage conservation programme. He has also worked in private practice as a Māori taonga conservator directly for tribal groups and also in Māori design and arts field. Participation and local leadership are the key elements of the work he leads with Māori communities to preserve and protect their cultural heritage sites and buildings. Revitalisation of traditional arts and cultural practice are integral elements of that process. Dean was formally trained at the University of Canberra in the Conservation of Cultural Materials with further Study at the ACCU Training Course on Conservation of Wooden Structures, Nara, Japan.
Briar Grace-Smith ONZM of Wellington is of Ngāti Hau and Ngā Puhi descent. She is an award winning writer of plays, screenplays, short fiction and television. Her plays include Haruru Mai, When Sun and Moon Collide and Purapurawhetū, with her first play Ngā Pou Wāhine winning the 1995 Bruce Mason Playwriting Award. She was one of eight Māori women filmmakers who created the acclaimed feature film omnibus Waru in 2017 which screened in Official Selection at the 2017 Toronto International Film Festival, before going on to screen all over the world at festivals such as ImagineNATIVE, Hawai’i International Film Festival and Palm Springs International Film Festival. Her television credits include Mataku, Fishskin Suit, Kaitangata Twitch, Being Eve, and Billy, as well as This is Piki in 2017. Briar was also a recipient of the Arts Foundation Laureate Award and was made an Officer of the New Zealand Order of Merit in 2018 for her contribution to theatre, television and screen.